Showing posts with label Hekla. Show all posts
Showing posts with label Hekla. Show all posts

[S07E02] May 2025 - Roy Palmer




In this May 2025 edition of the Theremin 30 Podcast, host Rick Reid plays theremin music from Australia, Iceland, Finland, and England. Rick's interview guest is Roy Palmer, one of the organizers of the 2025 Hands Off Theremin Festival.

FEATURED MUSIC*

*The full-length recordings featured in this show were used with the knowledge and permission of the artists and composers. Please support the artists by visiting their websites, purchasing their recordings, and attending their performances. 

ADDITIONAL MUSIC

INTERVIEW GUEST

CALENDAR OF THEREMIN EVENTS

MEDIA & NEWS LINKS

SUPPORT THIS PODCAST

CONTACT

CREDITS 

Copyright 2025 Rick Reid 


--------------------------------------------

TRANSCRIPT

Please note: This transcript was created with the help of speech-to-text AI.  It may contain some errors.

David Brower  0:00  
Rick, this is Theremin 30 - Thirty minutes of Theremin music, news, events and interviews with a new episode about every 30 days. Now. Here's your host, Rick Reid.

Rick Reid  0:18  
hello there. Welcome to the May 2025, edition of the theremin 30 podcast this month. I've got Theremin music from Australia, Iceland, Finland and England. And my interview guest is Roy Palmer. He'll be telling us all about Hands off 2025, a weekend of Theremin events set for this September in the East Midlands region of England. We'll also take a look at the theremin 30 calendar and more.

Let's get right to it with a classical Theremin performance from Australian thereminist Gary P Hayes, followed by a track from the latest album by Hekla. I'll have more details for You on the other side.

We started the show with Beethoven's Moonlight Sonata as performed by Sydney Australia recording artist Gary P Hayes from his new album The classical Theremin Two. This 17 track collection is available now on band camp. After that, I played a track called Grammin from the Turnar album by Icelandic recording artist Hekla. Obviously, I don't speak Icelandic. According to Google Translate, the track is called The Gray in English, and the album title translates as Towers. You can order the album on vinyl LP or purchase a download on Bandcamp. Links for both artists are in this month's show notes at theremin30.com.

It's time now for a look at the theremin 30 calendar of Theremin events. Friday, May 23 is the anniversary of the birth of Dr Robert Moog, also this weekend, Masami Takeuchi leads at their mid workshop in Hamamatsu city, Japan. Also in Japan, progressive rock artist Andmo performs at Raw Tracks in the Osaka area. And Thorwald Jorgenson has a classical concert in the Netherlands. On June 7 the divine hand ensemble holds its annual concert among the crypts in the Philadelphia area. And on June 28 Ernesto Mendoza performs at the Antique Toy Museum in Mexico City. I also want to share a couple of news items. Gaudi Labs has announced a new version of the open Theremin four that has built in MIDI jacks for connecting to other instruments. I have a link to details in this month's show notes, and Los Angeles based thereminist Randy George is featured in the score of the new Disney movie Lilo and Stitch. It opens in the USA on May 23 for other countries, check their local movie listings. 

Coming up in a few minutes. I'll visit with Roy Palmer about the 2025 Hands Off festival, set for this fall in the East Midlands of England. But first, I've got a recent recording from Finland composer Kepa Lehtinen called Dark Romance. It's part of a four track EP called Dark that you can listen to on Spotify, and you can see the official music video for This track on the theremin 30 playlist on YouTube. 

My interview guest this month is Roy Palmer. He lives in Nottingham, England, where he moderates the Theremini People group on Facebook. Roy is also part of a group of volunteers planning the 2025 Hands Off Festival. I spoke with Roy a couple of weeks ago to find out about plans for the event. Roy, thank you for being back on Theremin 30. Thank you for inviting me back a couple years ago. You were on the show talking about your Theremini user group. This time, we're going to talk about something that's not specific to the Theremini. It's the Hands Off 2025, event that you're planning.

Roy Palmer  16:06  
That's right, yes, put it in a nutshell as possible, for some time, I've had this dream. Call it a nightmare, of having a theremin event in my hometown. Two reasons, love the theremin. Second reason, I'm lazy and I don't want to travel too far. Then also what happened was a group of us coming out of the Copenhagen event said it wouldn't be good to do a UK based Theremin event. And then I came across a venue in my locality that looked ideal to do this sort of event in. And it grew from there, really, and then everything suddenly became, sort of falling into place. The venue was available, the people were available, and the main person that was available for the weekend I'd chosen was, of course, Lydia Kavina, who has rubber stamped this, mainly also because the the title Hands Off Festival began many years ago. The use of that term started, I think it was back in 2007 when there was a Hands Off Festival in Scarborough in the UK, which I believe you attended. 

Rick Reid  17:13  
Well, I was at the one in Scarborough in 2011. I'm not sure if that's where the 2007 one was or not. I wasn't involved in the community back then. Yours is going to be in Nottingham, is that right? 

Roy Palmer  17:26  
Yeah. Nottingham is where I live and breathe, and it's in a lovely Anglican church called St Paul's, which is in Daybreak, which is only a few miles from the city center. Great access for the UK and for Europe. And we have our own airport, and then links from the airport into the city center, great bus and travel networks. The Church has made itself available for two days, so the plan is to have the first day for intermediate and advanced players, where we will run a variety of workshops, ranging from talking about MIDI, talking about Theremin in Asian music, something called thereoki, which is where we get a list of tracks and people play. Because the main thing we Theremin players like to do is meet other players and also play together and share our music and our ideas, so that we discussion groups and so on. On the evening or the Friday we'll have a social event, because, of course, we all like to eat and have perhaps a beer or two. And then the Saturday morning, there will be two public sessions, one for kids, one for grown ups, so that members of the public get a chance to have a go themselves. You know, one of the great things with the theremin is, once you have a go yourself, it kind of becomes captivating, and you get hooked on it. But unfortunately, there's not the opportunity to do that, and that's what we've created here. So there's two workshops, a junior and an adult.

Rick Reid  18:56  
 And this is in September? I don't know if we mentioned the date. 

Roy Palmer  18:58  
The dates are the 19th and the 20th of September this year, we'll be running from 10 till five each day, but the second day so we have the the open workshops in the morning for children and for adults, then in the afternoon. Well, we're going to finish with a concert on the evening of the Saturday the 20th, from seven till 930 Lydia will be our main star, but there will also feature an ensemble piece. So throughout the weekend, those of who are there will be learning an ensemble piece to play as part of a public concert. There will also be a really great chap that I've met a year or so ago called Peter Chaloner, who is an ambient electronic music player with synths and so on. Not a thereminist, not a thereminist, but he and I become good friends, and we're going to start working on a piece together for the event. Because, of course, Lydia has sent out a few challenges as she does, one of which. Was to myself to come up with something. Another one was with Peter. I introduced her to Peter because I met Peter at an electronic music festival which featured Thorsten Quaeschning from Tangerine Dream. We shared the same interesting music. I'm a big fan of electronic music, and so we sort of developed this friendship and this talk about doing something together. Then I mentioned his name to Lydia, and she said, Oh, would he like to work at the concert and we can do something? And I said, Well, ask him. And so they've now got their heads together and come up with something they're going to work on then. And this has evolved over the last few months. Lydia said, Is there a church organist? And I said, Well, I believe so. Well, would he like to partake as well, and I can play something with him. And so it's become not just Lydia on our own, but Lydia with Peter myself as kind of MC for the evening, the church organ, the piece I'm working on. My late father was a politician in Nottingham, but also worked in the local coal mines, which were all closed down many years ago. And the coal mining he worked at is only a few miles from Arnold, where we're daybrook St Paul's church. So I'm working on a piece which is going to be a tribute to my father. We use some audio clips I managed to record in an interview I filmed with him many years ago, one of the things he said in the interview was, I never wanted to be a minor. I hated the thought of going underground and being a minor. And at the time, he was looking for work. That was the only work available, and so at the tender age of 15, he went down the mines, finished when he was 60. But those was a strong campaigner for health and safety within the coal mining industry. The piece I'm working on will be a tribute to him. Will be a mix of my own, improvised Theremin playing some ambient electronics, hopefully something with Peter, also a lady that I've met recently who's a great vocalist, who will partly sing. I'm not sure if you would be familiar, or your listeners would be familiar with the hymn Jerusalem. 

Rick Reid  22:05  
Oh, yeah, Emerson, Lake, and Palmer did that one. Of course, we know that one.

Roy Palmer  22:10  
Of course, yeah, opening track from Brain Salad Surgery. So I'm working on this piece at the moment. It may, it may fall apart at the first hurdle, but I've done a demo already which Lydia was quite enthralled with, and a few other people, because, like, you know, music, we talk often talk about music and the technicalities and the complexities of music, but it also has that emotional capacity and side to it, and this is very much from my heart and from My love for my father and what he stood for, and I'm hoping it will all work on the night. 

Rick Reid  22:47  
So a couple more questions about this event. This is not a closed off event where only a few people can participate, like we did in Denmark, right? This is more open to the public. 

Roy Palmer  22:58  
It's almost got two parts. There is intermediate and advanced because of the theremin's nature of not being able to play too many Theremin together in one room, we've had to limit it to 20 people physically because of the size and the space available to separate them, the public part, which is open to anyone, will also be limited to 20 but only because of the physicality and what we don't want. You know, if we, if we said, oh, it's open to 30, 40, or 50, would not everybody would get a chance to have a go. But what we're also planning to do off the back of this event, we want to build on opportunities for newcomers to try the theremin. So there is a small group of us that have been discussing this possibility and are working towards having regular Theremin workshops and events around the UK that are in person. You know, we've had enough of the online environment. You know, we've survived COVID And we've survived the online community, but we've got to that point, at least COVID, where you want to meet people.

Rick Reid  24:01  
Well, it sounds like a great event. I went to the, as I mentioned, the hands off in 2011 in Scarborough, and I've still kept in touch with most of the people I met there. Many of them have been on the podcast. So it's a, you know, if anybody has the ability and the time to make it to Nottingham in September for this event. I really recommend it. It's sounds like it's going to be a great event. I wish I could be there.

Roy Palmer  24:25  
It's Hands Off Festival 2025, Saint Paul's church in Daybrook, which is on the outskirts of Nottingham. It is September the 19th and 20th, which are the workshop days. And then on the evening of the 20th, an amazing concert of electronic music and Theremin music.

Rick Reid  24:44  
if you'd like to attend the hands off concert, there is a link to tickets on this month's show notes at Theremin30.com. I'll also add a link to workshop registration as soon as it becomes available. In the meantime, I'll post an email address where you can contact event organizers directly.

With the time remaining in the show. Here's an electronic improv featuring Roy Palmer on Theremini and Peter Challoner on synthesizers. This is called Ambient Mixology 3.

That was Ambient Mixology 3. It began as a live concert performance by Peter Challoner, then Roy Palmer added a layer of Theremini sounds in the studio. Both Peter and Roy will be part of the hands off Festival in September. Tthanks to them, as well as Gary P Hayes, Hekla and Kepa Lehtinen for sharing their music this month. Please support these artists any way you can. And a big thanks goes to the listeners who support this show with small one time or monthly donations or by purchasing items from the merch store and the pro shop on the theremin 30 website. Until next time, I'm your host, Rick Reid, and I'll see you again somewhere in the ether.

David Brower  29:51  
You've been listening to the theremin 30 podcast. Visit Theremin 30 on the web at Theremin30.com.

[S04E06] January 2023 - Conall Gleeson and Alexx Mazonowicz

 

Alexx Mazonowicz and Conall Gleeson



In the January 2023 episode of the Theremin 30 podcast, host Rick Reid plays theremin music from the USA, France, Mexico, and the United Kingdom. Rick's special guests are Music Director Conall Gleeson (right) and Thereminist/keyboardist Alexx Mazonowicz (left) of the New Note Orchestra. They will be performing in Brighton, England on February 14th.

FEATURED MUSIC*

*The full-length recordings featured in this show were used with the knowledge and permission of the artists and composers. Please support the artists by visiting their websites, purchasing their recordings, and attending their performances. 

ADDITIONAL MUSIC

INTERVIEW GUEST

CALENDAR OF THEREMIN EVENTS

MEDIA LINKS

SUPPORT THIS PODCAST

CONTACT

CREDITS 

Copyright 2023 Rick Reid 


--------------------------------------------

TRANSCRIPT

Please note: This transcript was created with the help of speech-to-text AI.  It may contain some errors.

David Brower  00:04

This is "Theremin 30," thirty minutes of theremin music, news, events, and interviews, with a new episode about every 30 days. Now, here is your host from Denver, Colorado, USA -- Rick Reid.

Rick Reid  00:20

Hey, welcome to the January 2023 episode of the Theremin 30 podcast. I'm your host, Rick Reid, back after taking some time off to concentrate on other projects. I hope you missed me because I have to admit, I did miss you.

This episode is one you won't want to miss, because I have new theremin music from the USA, France, Mexico, and England.  And my special guests are Conall Gleeson and Alexx Mazonowicz from the New Note Orchestra.  They will be playing a concert in the Brighton, England, area on Valentine's Day.

To get things started, I am going to play a song that first appeared on the Octopus Project's 2007 album "Hello, Avalanche." I played it once before, back in September of 2021. This time around, though, it's a new arrangement recorded last April in the Moog Sound Lab in Asheville, North Carolina, to showcase the redesigned Moog Etherwave theremin. Yvonne Lambert plays the Etherwave in the traditional way, and bandmate Toto Miranda uses another Etherwave as a CV controller for a Moog Matriarch synthesizer. Here is The Octopus Project with "I Saw the Bright Shinies."

Rick Reid  08:51

"We started the show with The Octopus Project with their reworking of  "I Saw the Bright Shinies" recorded in the Moog Sound Lab. You can watch their video on the Theremin 30 YouTube playlist. After that, I played a brand new live-looping performance by French multi-instrumentalist and composer Charlotte Dubois. Charlotte performed that piece with a Moog Claravox theremin and a Moog Grandmother synthesizer. You can see her performance on the Theremin 30 YouTube playlist as well. There is a link to the playlist in this month's show notes at Theremin30.com. 

After a short break, I'll be back with the Theremin 30 calendar, some theremin news headlines, and a new recording featuring Ernesto Mendoza. And later in the show, I'll visit with Conall Gleeson and Alexx Mazonowicz from the New Note Orchestra. So, stay tuned!

Rick Reid  09:54

It's time now for a look at the Theremin 30 calendar of theremin events!  

Aleks Schurmer is featured in the soundtrack of the new French-language movie "Mistral Spatial," now playing in theaters in Montreal, Canada.

On January 27th, Yoko Onishi hosts the monthly RCA Theremin evening on YouTube.

On January 28th in New Bedford, Massachusetts, James Bohn will present a lecture and theremin demonstration prior to the Magic of Disney concert by the New Bedford Symphony Orchestra.

On February 8th, Thorwald Jorgensen performs in Montreal, Canada, and About Aphrodite has a concert in Hamburg, Germany.

Over the weekend of February 10th, Dorit Chrysler and Charles Hobbs will present a series of events in Graz, Austria, to celebrate the opening of the "Calder Plays Theremin" art installation.

And on Valentine's Day, the New Note Orchestra will be performing in the town of Hove near Brighton, England. We'll hear more about that later in the show.

For details about these events and more, check out the interactive calendar on Theremin30.com.

I also want to take a moment to share a couple of recent news items with you.

First of all, congratulations to Icelandic recording artist Hekla Magnusdottir for earning Album of the Year honors in the Rekyavik Gravevine music awards.

Also, thereminist Kip Rosser is helping raise awareness and funding for the Juliet Shaw Legacy Project, a campaign to preserve the archives of one of America's earliest professional thereminists. You can find details about the project by following the link in this month's show notes.

Now, let's get back to more music with a very cool new track from "Tharsis Project" featuring Ernesto Mendoza and Jon Carr.  This is called "Time Traveller."

Rick Reid  16:08

That was "Time Traveller," a new recording from "Tharsis Project" featuring Ernesto Mendoza on theremin and synthesizers and Jon Carr on drums. You can learn more about the artists by clicking on their names in this month's show notes.

Coming up after this break, I'll visit with Conall Gleeson and Alexx Mazonowicz from Brighton, England's New Note Orchestra, so stay right here.

Rick Reid  16:57

The New Note Orchestra is an eclectic music ensemble based in Brighton, England, that uses musical collaboration to help people in recovery from addiction. I recently visited with their music director Conall Gleeson and their keyboard and theremin player Alex Mazonavich, to find out how this most unusual charity organization works and how they incorporate the theremin in their live concert performances.

Conall Gleeson  17:02
Yeah, thank you for having us.

Alexx Mazonowicz  17:26
Thanks for inviting. 

Rick Reid  17:28
Conall, you're the music director?

Conall Gleeson  17:30
That's right. I've been working with New Note Orchestra since 2016. And what an amazing journey it has been for me. 

Rick Reid  17:37
And Alexx, you play keyboards and, of course, theremin. 

Alexx Mazonowicz  17:41
Yep, that's right. 

Rick Reid  17:42
What is the New Note Orchestra? 

Conall Gleeson  17:45
Well, New Note Orchestra was set up in 2015. Its focus is to attract people who are in recovery from drugs and substance abuse and using music as a way to sustain their sobriety and their well being. What we do is try to develop those persons as musicians. They've had a whole journey where they self-identified and come to terms with their addiction. People want to move on from that kind of way of self-identifying. And we help them self-identify as musicians, so they come as addicts and become musicians. And that's how we like to see it. 

Rick Reid  18:17
So, Alexx, how did you get involved with the orchestra? 

Alexx Mazonowicz  18:20
I am in recovery. And I have been in recovery for almost 15 years and a couple of months it will be since I had my last drink. I joined in 2020, about a month before we all locked down actually for COVID. It was just after I'd moved to Brighton, but I heard about the group from a friend in another recovery group. Somebody just mentioned to me about the orchestra. And I looked it up online and kind of liked what they were doing. And I listened to some of the music. I was quite impressed by it. And so I just found out where they were practicing. And I turned up one Tuesday in February 2020 With my theremin under my arm just basically where do I plug in? 

Rick Reid  18:34
What was that like to have a thereminist show up? 

Conall Gleeson  19:01
Oh, it was so weird because primarily we've got lot of people play guitars, we've got people doing keyboards, and we also have a multitude of people playing hand chimes. So when a theremin arrived at the door with Alexx I was thinking, well, how are we going to work this one into our sonic ambience? But Alexx has proved to be very versatile and imaginative with his theremin. And it's been a blessing and a wonderful addition to the orchestra. 'Cause it can do two things: it can play melodies, it also can add these strange textures to the sound that we make, you know. So that's really fantastic. 

Rick Reid  19:35
I guess we should define the word orchestra because the New Note Orchestra is not a traditional symphony orchestra. 

Conall Gleeson  19:42
It's called an orchestra because it's quite large in size, a bit larger than an ensemble or a band, though might have 20 to 25 persons so it kind of in size and embodiment constitutes an orchestra. That's where the name originally was come from, but we might call ourselves an electric orchestra. 'Cause we're plugged in, we're amplified. And we're a lot of guitars, we've got some wind instruments. And we've got lots of synths and we've got a theremin, yeah.\ 

Alexx Mazonowicz  20:06
I think orchestra, though, is a good description of the ambition of what we're trying to do. I think if we just called ourselves a group, a lot of people would be expecting a rock group or something like that. Whereas with an orchestra, there's this idea of something big and very long, ambitious pieces, that we did. So, it works for me. 

Conall Gleeson  20:24
Yeah. 

Rick Reid  20:26
I'm curious, from your point of view, Alexx, how you find your place in the orchestra. And I mean that both sort of philosophically as a thereminist, and also practically, where you need space around your instrument to be able to perform it correctly. 

Alexx Mazonowicz  20:34
One of the reasons I joined was because I wanted to play my theremin with a group, right? And I think that's a problem that a lot of thereminists I've spoken to have is that they spend a lot of time practicing at home, maybe playing to backing tracks, or tracks that they recorded themselves. Whereas I used to play electric guitar in alternative bands, and I missed playing with other people. And I've always liked to be a little bit different, right? Why would we choose such a difficult and weird instrument if we didn't like being different? So philosophically, where I like to fit within the group when I'm on theremin is kind of by bringing different textures to it. I play a Claravox now. I've got the delayed circuit on it. And it's got the different settings on it, which are really useful for bringing new textures in. And we do one piece in which people are playing recorders and stuff to emulate birds. And I like to actually break the rules and touch the pitch antenna with my fingers to try and make that chirping sound. Also, the Claravox has the white noise circuit on. I've used the software app to connect the pitch antenna to the filter. The Claravox has got that very beautiful Moog filter on it, to try and create kind of a wind effect. And you put that with some delay. So I can get a lot of textures that way. And that's really interesting, because when I started playing Ttheremin seriously, which was only about five years ago, I wanted to kind of get away from using it as a sound effects machine, which you know there's a little snobbery within the theremin community used for sound effects, which I kind of agree with to a point because when you can get melodies out of it they're very beautiful, but you know, in the orchestra situation, you give what you can, and I'm playing with other people. And sometimes it's really nice to be able to do that. 

Conall Gleeson  20:38
When we perform, we've kind of scripted our pieces. But when we get together, and we're collaborating, we're all improvising, and we're responding to the sounds other instruments make. So in that respect, it's really exciting then, finding how a theremin might blend and to add an interesting texture to a guitar drone, or to get to the theremin to sound like a percussion instrument. When we collaborate or meet every Tuesday, we're exploring these different ways that a stheremin might work with the rest of the orchestra. 

Rick Reid  22:53
I can imagine situations where you have to tell Alexx, you know, we don't really need a theremin in this song. 

Conall Gleeson  23:01
That's part of the flexibility and the genius of Alexx because he can also play the keyboard. It's never a case that we don't need a theremin. But it's often the case that we need someone to do some of the synth work. And then that's where Alexx brings in his expertise as well, because he's so talented. He's got such a wide range of skills, you know. Got to use them all. 

Alexx Mazonowicz  23:19
You flatter, you flatter me so, Conall. Going back to what you were talking about actual space. I think in the early days, I set my theremin up when we rehearsed, actually quite apart from everyone. And I'd be playing and people would come up and go, Oh, what's that? And, you know, obviously, the pitch would suddenly change. On stage it's been okay, I sometimes have to tune the pitch antenna quite tight, just to kind of make sure that nobody else gets into range. But we're a big group, so we have to have big spaces to play in anyway. 

Conall Gleeson  23:54
Ironically, the theremin takes up a lot of space doesn't it? 

Rick Reid  24:00
Also you have to have an amplifier. So how does that work? 

Alexx Mazonowicz  24:04
We've already got people playing bass guitars and electric guitars and we've got like rock drummers in there as well. So generally people are kind of fighting the volume. But Conall does a fantastic job of actually getting people to turn down. For me, learning to sit back a little bit whether I'm playing theremin or keyboards, there's been a really big learning experience. actually learning to step back a bit in the mix. It's been really good. But again, I've got a Claravox so I can always plug some headphones in. I can monitor the pitch on a pitch pedal. And I do have a small practice amp, and I'll use that sometimes at a low volume just to make sure I can hear. 

Rick Reid  24:44
Now you have a show coming up in February called Love Fest. Tell me about that. 

Alexx Mazonowicz  24:50
Love Fest, yeah. Well that's on Valentine's Day and we are playing in a church down the road with a few other artists from Brighton, but it's an alternative love show. So it's not just about romantic love. We're talking about brotherly love. We're talking about lots of different types of love. And we've got some kind of alternative love poems that we're going to be reading over our normal repertoire. But yes, an alternative Valentine's evening. 

Rick Reid  25:18
Thank you very much for taking the time to visit with me and I wish you good luck with the concert coming up. Love is always a good thing. And music is always a good thing. 

Conall Gleeson  25:27
Yeah, thank you. And I love your show. It's great. 

Alexx Mazonowicz  25:30
Yeah, it's fantastic. Thank you very much for everything you do, Rick.

Rick Reid  25:33

If you live in southern England, make a date to see the New Note Orchestra's Love Fest concert on Valentine's Day. Follow the link on the Theremin 30 calendar for details. Also, check out the New Note Orchestra website at newnote.co.uk.

Now with the time remaining, let's listen to an excerpt from a new experimental music piece by Modulight, a collaboration between thereminist Chris Conway and synthesist Jez Creek. From their recently released second album, "Liminal Vision," here is "Primordial Descent."

Rick Reid  29:06

Thank you so much to the Octopus Project, Charlotte Dubois, Tharsis Project, and Modulight for allowing me to share their music with you. Also, a big thanks to Conall Gleeson and Alexx Mazonavich from the New Note Orchestra for visiting with me. And a special thanks goes to the folks who support my efforts with small one-time and monthly donations and by shopping in the Theremin 30 online merch store and pro shop.  

If you'd like to get involved with this podcast, I'm always on the lookout for new, professional quality theremin music to play on the show and expert guests to interview.  So, reach me through the contact form on the website.

Until next time, I'm your host Rick Reid. I'll see you somewhere in the ether.

David Brower  29:50

You've been listening to the "Theremin 30" podcast. Visit Theremin 30 on the web at Theremin30.com.

[S04E03] July 2022 - Charlotte Dubois

 


In the July 2022 episode of the Theremin 30 podcast, host Rick Reid plays theremin music from Germany, Iceland, Japan, France, and Australia. Rick interviews thereminist/pianist Charlotte Dubois about her new album Gamme de couleurs. 

▶️ Listen to this episode on Spotify.

FEATURED MUSIC*

  • "What the Eye Doesn't See" - Donna Maya (Berlin, Germany)
  • "Enn og Aftur" - Hekla (Reykjavík, Iceland)
  • "Ombra mai fu" - Yoko Onishi (Zushi, Japan) 
  • "Peak Body" - Miles Brown (Melbourne, Victoria, Australia)
*The full-length recordings featured in this show were used with the knowledge and permission of the artists and composers. Please support the artists by visiting their websites, purchasing their recordings, and attending their performances. 

ADDITIONAL MUSIC

INTERVIEW GUEST

CALENDAR OF THEREMIN EVENTS

MEDIA LINKS

SUPPORT THIS PODCAST

CONTACT

CREDITS 

Copyright 2022 Rick Reid 


--------------------------------------------

TRANSCRIPT

This transcript was generated with an AI speech-to-text system. It may contain errors.

David Brower  00:04

This is Theremin 3030 minutes of Fairmined music news events and interviews with a new episode about every 30 days. Now here's your host from Denver, Colorado, USA, Rick Reid.

 

Rick Reid  00:19

Hey there, welcome to the July 2022 episode of the Theremin 30 Podcast. I'm Rick Reid and I've been your host for more than three years now. And normally, I'm trying to publish the episodes around the first day of each month. But I got distracted by some other projects recently and or the desire to just take a long nap under my air conditioner. Here in Denver, Colorado. Today, we set a record for the highest high temperature for this date. And this morning, we actually set a record for the highest low temperature too. And I think I've got a pretty hot show for you this month. I'll play music from Donna Maya Hekla, Yoko Ohnishi Myles Brown, and my special guest, Charlotte Dubois, who will share highlights from her brand new self produced album Gamme de Couleur. Hopefully I pronounced that close enough. Let's start off the first set of Music in this episode with the track that I can pronounce. This is called what the eye doesn't see it's by Berlin based recording artists Donna Maya. After that I'll spin a short but sinister track from the upcoming new heckler album. And I'll tell you more about both of those recordings on the other side.

 

Rick Reid  07:52

We started the show with Donna Maya and a track called what the eye doesn't see. It's part of an 85 song compilation album called Save Ukraine. You can download it from Bandcamp for a donation of four euros or more, and the proceeds go to the Red Cross to support their humanitarian aid efforts in Ukraine. There's a link to the album in this month's show notes at Theremin thirty.com. And after that, I played a rather chilling soundscape by Hekla called N O AF dish, which translates to English as yet again. It's part of a new album of doom and gloom soundscapes by Hekla set for release in September called Xiuxiuejar which is a Catalan word meaning whisper check out the appropriately creepy video for that track on the Theremin 30 YouTube playlist. After this break, I'll take a look at the Theremin 30 calendar and I have new music from Yoko Onishi so stay tuned

 

Rick Reid  09:00

It's time now for a look at the Theremin 30 calendar of Theremin events. Marla Goodman continues her Theremin Thursday's performances in Bozeman, Montana through the end of July on her front porch. Stephen Ham has a couple of shows this weekend in the Vancouver BC area. The divine hand ensemble has a full slate of performances over the next several weeks to promote their new Aria 51 album. Saturday July 23rd would have been Dr. Samuel Hoffman's 99th birthday. Karolina Ike is the featured soloist at the BBC Proms concert at London's Royal Albert Hall on August 4. For more details about these events and more, check out the interactive calendar on Theremin thirty.com. And if you have an event you'd like me to put on the calendar, send me all the details through the website, Twitter, Facebook or Instagram. Also on the calendar Yoko Onishi hosts her monthly RCA Theremin evening on Saturday. July 23, from her home in Japan, because of the timezone differences it actually plays late Friday night here in the Western Hemisphere, but you can catch a replay anytime after the live show airs on YouTube. This month she will be demoing the Claravox Centennial Theremin's patch editing software. Yoko Onishi has been working on a follow-up to her All Theremin album she released in 2017. Here's a preview single from all Theremin to it's called Ombra mai fuo also known as the Largo from Xerxes by George Frederick Handel?

 

Rick Reid  13:53

That was Ombra mai fu or the Largo from Xerxes performed on the RCA Theremin and the Moog ether wave pro by Yoko Onishi. It's from her upcoming album All Theremin to there's more to come on that Theremin 30 podcast. Later in the show. I'll play a track off a cool Miles Brown album from a couple of years ago and up next I visit with French recording artist Charlotte DuBois. She has a colorful new album out now and she will tell us all about it so stick around.

 

Rick Reid  14:53

Charlotte Dubois is a wonderful thereminist MP and is based in Lila France.

 

Rick Reid  15:03

Last month she self released a lovely album on Bandcamp called Gam declare, or something close to that. I asked her to be on the show and there was a bit of a language barrier as you might suspect, so we couldn't record a live interview. Instead, I sent her a list of questions in English. She translated them then translated her written answers to English so she could read them aloud. What you're about to hear will be my questions and her answers, and it did together. Charlotte Dubois, thank you so much for joining me on Theremin 30.

 

Charlotte Dubois  15:39

Hello. Thank you for inviting me to participate at your podcast sermon. So it's always a pleasure to speak about ceremony.

 

Rick Reid  15:52

 asked you to be on the show this month because you have a new album out called gamma coolair. According to Google translate in English, that would be range of colors, and each track is named after a different color. Before we talk about that, tell me your story about how you became familiar with the Theremin.

 

Charlotte Dubois  16:11

I remember my father watching loads of fantastic and science fiction movies. And I love that the sound of Theremin often using these movies fascinated me

 

Charlotte Dubois  16:36

I always wanted one, but I never did to start. That's three and a half years ago, my fabulous companion decided to offer me one at a rave.

 

Rick Reid  16:50

What other instruments do you play? Do you have formal musical training?

 

Charlotte Dubois  16:54

I did 11 years of classical piano it was a rigorous formation. I had to pass two exams by here to validate my skills. I knew how to play Chopin, Brahms, but I was unable to compose myself. Classical way it's fantastic, but it doesn't open to creativity. When theobromine came in my life, it sounds totally my relationship to music.

 

Rick Reid  17:52

Your new album is called Gam dequeue there. What does that title mean to you? And how does it represent the music on the album?

 

Charlotte Dubois  18:01

The album gamba Kula, I have chosen to explore the emotions that emerged from the koulos its track is inspired by my personality story of universal feelings everyone is free to appropriate himself see emotion with his own experience

 

Rick Reid  18:41

what was your writing and recording process for example, did you compose on the piano first and arrange your composition to include the Theremin

 

Charlotte Dubois  18:51

It depends. Sometimes I have melodies that comes to me and I do first the piano composition and then second time I will add the layers of Theremin.

 

Charlotte Dubois  19:13

Sometimes it's totally the opposite, as I do lot of improvisation with Theremin one melody a match of that, and I record it first. For example. That's what happened for the bush song

 

Rick Reid  19:40

did you create the album at home or in a professional recording studio?

 

Charlotte Dubois  19:44

I do all the Recode and mix myself with my stuff and other

 

Rick Reid  19:49

than which Theremin models are featured on this album.

 

Charlotte Dubois  19:53

The two ceremonies that are used most of the time are theater with produce and the Clara book I really like theater rev it offers a lot of possibilities especially since jelly Frankel optimized it adding the recipe is our module it's really great but I love the Claravox too

 

Charlotte Dubois  20:19

me not the traditional mode but mme mode it's really magical because we can so much personalize the presets that the player can create is our musical senior to

 

Charlotte Dubois  20:57

as I got to happen to remain and that ceremony late in my creation process this to theremin I'll only answer song SEC law

 

Charlotte Dubois  21:27

by the way, this song was really fun to create because I enjoyed to add all of my therapy. There is even a little participation of material.

 

Rick Reid  21:38

Is there a song on the new album that was your favorite to compose and record?

 

Charlotte Dubois  21:43

it's very difficult to choose just one song because this change depending of my emotion, but I took lots of pleasure to compose lounge really, because I usually use lubra with my Theremin this time I reversed the rule

 

Charlotte Dubois  22:14

in French, the expression whether or not you lay means that we took a smash on the head. I would like to illustrate this moment in life where we accumulate subproblems and we fill in an infinite vortex. We are stunned, but we know that always will be alright.

 

Rick Reid  22:40

So how can people listen to your new album and purchase copies of it?

 

Charlotte Dubois  22:43

You can find my new album on Bandcamp profile Charlotte DuBois.

 

Charlotte Dubois  22:59

It costs seven euros 1000s They're gonna smile bomb. I prepare a bonus track to say thank you for all the sports is naming is it Ansel? is orange color.

 

Rick Reid  23:14

Do you plan to have any live concerts or streaming performances in the near future?

 

Charlotte Dubois  23:18

Actually, I do initiation of the remaining music school. I have a lovely project of concert in a beautiful place. But I can say more for the moment. If you want you can follow me on instagram i post often my improvisation of theremin and my actuality. My profile on Instagram is shallow. Abigail DuBois.

 

Rick Reid  23:44

Thank you so much for sharing your wonderful music and taking the time to visit with me.

 

Charlotte Dubois  23:49

 Oh, thank you a lot for the invitation. Rick, it's a real opportunity to speak about my new album. I put lots of love on it. And I am very excited to share it with you next year to a vivid Theremin.

 

Rick Reid  24:07

The new album by Charlotte Dubois is available now on Bandcamp and I have a link in this episode's show notes at Theremin thirty.com Now let's finish the episode with a recording from Myles Browns 2020 album The Gateway. It came out during the COVID 19 pandemic lockdown so it's only been this month that he's been able to perform music from the album live on stage. You'll next be performing at the Color Club in Melbourne on August 5. From the gateway album here is Myles brown with a track called peak body

 

Rick Reid  27:25

With the time remaining I want to thank Donna Maya Hekla Magnus daughter Yoko Ohnishi and Miles Brown for sharing their music. And a special thanks to Charlotte Dubois for being my guest this month and sharing her new album with us. Also a big thank you and Virtual hugs go to the listeners who support this show with small one time and monthly donations. I really appreciate your help. If you'd like to help out there is information on the website, Theremin thirty.com. There's also a merchandise store where you can pick up T shirts and bumper stickers and other fun things. So check that out. Until next time, I'm your host, Rick Reid. I'll see you again somewhere in the ether.

 

David Brower  29:50

You've been listening to the Theremin 30 podcast visit Theremin 30 on the web at Theremin 30 dot com